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Netizens have also hit the Swiss tourism agency’s Korean homepage, and according to GoNews, there are signs that “anti-Swiss sentiment” (you read that correctly) could explode at the slightest provocation. netizens are venting their frustrations on the bulletin board of the Korean embassy in Switzerland. Ingmar Bergman during production of Wild Strawberries (1957).Įrnst Ingmar Bergman ( Swedish pronunciation: ( listen) 14 July 1918 – 30 July 2007) was a Swedish director, writer and producer for film, stage and television.In any case, never let it be said that Korean fans of 'soccer' are anything other than consistent: Described by Woody Allen as 'probably the greatest film artist, all things considered, since the invention of the motion picture camera,' he is recognized as one of the most accomplished and influential film directors of all time. He directed over sixty films and documentaries for cinematic release and for television, most of which he also wrote. He also directed over one hundred and seventy plays. Among his company of actors were Harriet Andersson, Liv Ullmann, Gunnar Björnstrand, Bibi Andersson, Erland Josephson, Ingrid Thulin and Max von Sydow. Most of his films were set in the landscape of Sweden.

His major subjects were death, illness, faith, betrayal, and insanity.īergman was active for more than six decades. In 1976 his career was seriously threatened as the result of a botched criminal investigation for alleged income tax evasion. Outraged, Bergman suspended a number of pending productions, closed his studios, and went into self-imposed exile in Germany for eight years. Ingmar Bergman was born in Uppsala, Sweden, the son of Erik Bergman, a Lutheran minister and later chaplain to the King of Sweden, and Karin (Akerblom), a nurse. He grew up with his older brother Dag and sister Margareta surrounded by religious imagery and discussion. His father was a conservative parish minister with strict parenting concepts. 'While father preached away in the pulpit and the congregation prayed, sang, or listened', Ingmar wrote in his autobiography Laterna Magica: Ingmar was locked up in dark closets for 'infractions' like wetting the bed. 'I devoted my interest to the church’s mysterious world of low arches, thick walls, the smell of eternity, the colored sunlight quivering above the strangest vegetation of medieval paintings and carved figures on ceilings and walls. There was everything that one’s imagination could desire - angels, saints, dragons, prophets, devils, humans.'Īlthough raised in a devout Lutheran household, Bergman later stated that he lost his faith at age eight, and only came to terms with this fact while making Winter Light. Bergman's interest in theatre and film began early: 'At the age of 9, he traded a set of tin soldiers for a magic lantern, a possession that altered the course of his life. He fashioned his own scenery, marionettes, and lighting effects and gave puppet productions of Strindberg plays in which he spoke all the parts.' Within a year, he had created, by playing with this toy, a private world in which he felt completely at home, he recalled. In 1934, aged 16, he was sent to Germany to spend the summer vacation with family friends. He attended a Nazi rally in Weimar at which he saw Adolf Hitler. He later wrote in Laterna Magica ( The Magic Lantern) about the visit to Germany, describing how the German family had put a portrait of Adolf Hitler on the wall by his bed, and that 'for many years, I was on Hitler's side, delighted by his success and saddened by his defeats'. Bergman did two five-month stretches of mandatory military service. In 1937, he entered Stockholm University College (later renamed Stockholm University), to study art and literature.

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He spent most of his time involved in student theatre and became a 'genuine movie addict'. At the same time, a romantic involvement led to a break with his father that lasted for years. Although he did not graduate, he wrote a number of plays, as well as an opera, and became an assistant director at a theater.

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